24 Season 1-5

24 Season 1-24 Asian Edition

Series 1: Such a simple idea--yet so fiendishly complex in the execution. Creator Robert Cochran and his team of writers and directors have done a pretty impressive job in putting the jigsaw together and keeping the tension ratcheted up high, as Federal Agent Jack Bauer (Kiefer Sutherland) hares around LA trying to stall an assassination attempt on a black Presidential candidate and rescue his wife and daughter from the clutches of the Balkan baddies. Twists, turns, revelations and cliffhangers are tossed at us with satisfying regularity. It’s not perfect but even so, this is undeniably mould-breaking TV. Sutherland, rescuing his career from the doldrums in one heroic leap, fully deserves his Golden Globe. Sets and locations are artfully deployed--we gain a real sense of LA’s splayed-out geography--and Sean Callery’s score is a powerful, brooding presence. Like Murder One and The Sopranos, 24 is one of those series future TV thrillers will have to measure themselves against.

Series 2: Once again the hours are ticking by with more guaranteed cliffhangers than a convention of mountain climbers. Holed up in a Los Angeles condo and estranged from his daughter, Jack is no longer on the government payroll; unfortunately for him, this small fact doesn't seem to matter to President David Palmer and the NSA who call him back in to the CTU and give him 24 hours to infiltrate a terrorist organisation who are planning to detonate a dirty bomb in the city of angels. All Jack wants is to get his daughter out of the city, unfortunately Kim's new employer, the abusive father of the child she is nannying, has other ideas.

Fans of the original won't be disappointed, as there are more than enough shock moments in the first few hours to hint at the climactic build-up to come, while newcomers can quickly get involved in the lives of Jack and his family. There are some new characters to bolster the veteran cast and, interestingly (although not surprisingly given the outcome of the first series), Jack's character has taken an altogether darker, more psychopathic turn. The danger the characters find themselves in also has a much more global impetus, grounded as it is in the war against terrorism. Although the territory is more familiar this time around, this second series is just as much a high-tension, taut, adrenaline-fuelled ride as the first series, and one that will have you glued to your TV for the next 24 hours. --Kristen Bowditch

Series 3: There's not one cougar to be found in 24's dynamic third season, and that's good news for everyone. After Jack Bauer's daughter Kim (Elisha Cuthbert) survived hokey hazards in season 2, she's now a full-time staffer at CTU, the L.A.-based intelligence beehive that's abuzz once again--three years after the events of "Day Two"--when a vengeful terrorist threatens to release a lethal virus that could wipe out much of the country's population.

The intricately woven subplots that are 24's greatest strength are masterfully developed here, and character arcs are equally strong, especially among CTU staffers Tony (Carlos Bernard) and his wife Michelle (Reiko Aylesworth); CTU director Ryan Chappelle (Paul Schulze), who is season 2's tragic bargaining chip; and the annoying but well-intentioned Chloe O'Brian (Mary Lynn Rajskub), who makes pivotal contributions with by-the-book efficiency. It's 24's superior casting that overcomes the series' occasional lapses in credibility, and season 3's twists make marathon viewing a nerve-wracking delight. By the time it's all over, with a high body count and the surgical reattachment of a main character's severed hand, 24 once again leaves you gratefully exhausted. As always, Sutherland anchors the series in the role he was born to play. When Jack takes a private moment to release 24 hours' worth of near-fatal tension and psychological anguish, Sutherland proves that 24's dramatic priorities are as important as its thriller momentum. --Jeff Shannon

Series 4: Hard to believe, but after all these years, 24 is as vital and compulsive as it always was. Fortunately, Jack’s knack of attracting trouble hasn’t deserted him either, and quickly, it’s business as usual. Starting the series with a fresh romance, a different job and one heck of an explosion, it doesn’t take long before Jack is back in action, and he’s soon joined by a mixture of new and familiar faces.

To talk about the plot would be unfair, as 24 is consistently a dish best served cold. Suffice to say that there’s a heady mix of plotlines, twists and downright brilliant cliffhangers. Perhaps the cocktail isn’t as fresh as it once was, and there are moments where you can’t help but feel that plausibility is being stretched a little too far. But accepting that is part and parcel of the 24 experience, and arguably part of the fun. That’s because even as it approaches its final stages, 24: Series 4 maintains a tremendous momentum and level of intrigue, and by the time the clock ticks for the last time at the end of the 24th episode, odds are you’ll be thirsting for more. Bluntly, in spite of its flaws, 24 remains one of the most essential shows currently on television--and this series offers ample evidence why. --Simon Brew

Series 5: The adventures of Counter Terrorism Unit agent Jack Bauer have rarely been dull. Yet after four series of battling the bad guys in real time, some could rightfully wonder whether 24 had lots its edge, and its ability to surprise. The fifth season should put any such doubts to shame.

Set eighteen months after the dramatic finale to Season Four, things get off to a shocking and pulsating beginning. You won’t find plot spoilers in this review, yet it’s as if the writers realised they had some serious carpet-pulling to do to keep the show’s audience intrigued once again. Set, as usual, over the course of one single day, there’s then a slight lull in the first third, before things spring ferociously into life. Make no mistake: if you can overcome the usual need to suspend elements of your disbelief, this is the best series of 24 since the first, and as it winds near to its equally dramatic conclusions, it’s simply hard to take your eyes off it.