Accounts and Drawings from Underground:  ERPM Cash Book, 1906 - William Kentridge

Accounts and Drawings from Underground: ERPM Cash Book, 1906 - William Kentridge

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New
Location
South Africa
Product code
msc1sa
Bob Shop ID
643752137
           

                     Accounts and Drawings from Underground: The East Rand Proprietary Mines Cash Book, 1906         


                                             Published by Seagull Books, 2015, hardcover, illustrated, 21 cms x 30 cms x 2.8 cms, condition: as new.

Over the last twenty years, William Kentridge has built a worldwide reputation as a contemporary artist, best known for his series of ten animated films created from charcoal drawings. In Accounts and Drawings from Underground , Kentridge and Rosalind C. Morris bring us an unprecedented collaboration, where they have taken the pages of the 1906 Cash Book of the East Rand Proprietary Mines Corporation and transformed it into something wholly new. Kentridge contributes forty landscape drawings in response to the transient terrain mining created and as a visual epitaph to a history of disappearances. For her part, Morris plumbs the text of the cash book to generate a unique narrative account. Reading down and across the columns of the pages as though they were themselves shafts in the earth, she draws together the stories of migrant laborers and charts the flows of capital and desire, overwriting the text of the book to give us a palpable sense of the world that gold mining created.

William Kentridge is an artist best known for his prints, drawings, and animated films, especially noted for a sequence of hand-drawn animated films he produced during the 1990s. The latter are constructed by filming a drawing, making erasures and changes, and filming it again. He continues this process meticulously, giving each change to the drawing a quarter of a second to two seconds' screen time. A single drawing will be altered and filmed this way until the end of a scene. These palimpsest-like drawings are later displayed along with the films as finished pieces of art. Kentridge has created art work as part of design of theatrical productions, both plays and operas. He has served as art director and overall director of numerous productions, collaborating with other artists, puppeteers and others in creating productions that combine drawings and multi-media combinations.

Rosalind C. Morris is professor of anthropology at Columbia University. She is the author of Photographies East: The Camera and Its Histories in East and Southeast Asia, In the Place of Origins: Modernity and its Mediums in Northern Thailand, and New Worlds from Fragments: Film, Ethnography, and the Representation of Northwest Coast Cultures.


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