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Claude Monet probably painted this and other still lifes in 187980, knowing that they would be more readily marketable than his landscapes. In Apples and Grapes, however, he employed the complexity of color, light, and texture found in his most Impressionist landscapes. This is particularly evident in the extensive cloth surfacethe play of light on the horizontal brushstrokes (indicating the folds in the tablecloth) recalls earlier canvases in which Monet used similar short horizontals of variegated colors to suggest water rippling in the sunlight.
Printed onto 200gsm gloss poster paper, this poster is produced using the highest resolution images and quality printing techniques.