ARCHITECTURE`S DESIRE Reading the Late Avant- Garde K MICHAEL HAYS architecture ARCHITECTURE`S DESIRE Reading the Late Avant- Garde K MICHAEL HAYS architecture ARCHITECTURE`S DESIRE Reading the Late Avant- Garde K MICHAEL HAYS architecture ARCHITECTURE`S DESIRE Reading the Late Avant- Garde K MICHAEL HAYS architecture
ARCHITECTURE`S DESIRE Reading the Late Avant- Garde K MICHAEL HAYS architecture ARCHITECTURE`S DESIRE Reading the Late Avant- Garde K MICHAEL HAYS architecture ARCHITECTURE`S DESIRE Reading the Late Avant- Garde K MICHAEL HAYS architecture ARCHITECTURE`S DESIRE Reading the Late Avant- Garde K MICHAEL HAYS architecture

ARCHITECTURE`S DESIRE Reading the Late Avant- Garde K MICHAEL HAYS architecture

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Condition
Secondhand
Location
South Africa
Bob Shop ID
641746495

ARCHITECTURE'S DESIRE  ; Reading the Late Avant- Garde ;  K MICHAEL HAYS  ; 2010 ; Softcover  ; No. of Pages ; 192 ;         ISBN 978 0 262 51302 9 ; 
Condition ; very good ; Clean  Very good binding  ; no tears and no writing added
From Goodreads ; "While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on itself, pondering its own historical status, and deliberately exploring architecture's representational possibilities right up to their absolute limits. In close readings of the brooding, melancholy silence of Aldo Rossi, the radically reductive "decompositions" and archaeologies of Peter Eisenman, the carnivalesque excesses of John Hejduk, and the "cinegrammatic" delirium of Bernard Tschumi, Hays narrates the story of architecture confronting its own boundaries with objects of ever more reflexivity, difficulty, and intransigence.
The late avant-garde is the last architecture with philosophical aspirations, an architecture that could think philosophical problems through architecture rather than merely illustrate them. It takes architecture as the object of its own reflection, which in turn produces an unrelenting desire. Using the tools of critical theory together with the structure of Lacan's triad imaginary-symbolic-real, Hays constructs a theory of architectural desire that is historically specific and yet sets the terms and the challenges of all subsequent architectural practice, including today's. "


Also  listed by me as a separate item  ; A HISTORY of OTTOMAN ARCHITECTURE ;  GODFREY GOODWIN ; Large Softcover ;






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