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Batman Begins
Genius of mystery and intrigue Christopher Nolan (MEMENTO, FOLLOWING, INSOMNIA) helms this prequel to the Batman films based on the DC Comics series, explaining how Bruce Wayne (Christian Bale)--the billionaire prince of Gotham whose parents were killed in an alleyway mugging--transformed into the crime-fighting superhero. With flashbacks to his privileged childhood, young Master Wayne, as he is called by the butler Alfred (Michael Caine), develops a terrible fear of bats when he falls through the backyard garden into a hidden cave. As a young adult, Wayne lives among the League of Shadows, a martial arts group in the mountains of Asia. His leaders Ra's al Ghul (Ken Watanabe) and Henri Ducard (Liam Neeson) teach him strength, endurance, and--unfortunately--evil, against which he naturally rebels. Returning to Gotham and reinstating himself as a dapper socialite and the rightful heir to his parents' enterprise, Wayne quickly devises his secret identity, commanding help from the gadgetry expert Lucius Fox (Morgan Freeman). With one eye on his childhood playmate Rachel (Katie Holmes)--now a beautiful woman and dedicated lawyer--and the other on his mission to save Gotham from criminal corruption, Batman makes his fledgling debut. But when the blue-blooded mastermind Dr. Crane (Cillian Murphy)--who steals every scene with chilling menace--taints the water system with a hallucinatory substance, Batman realizes he has met his first true opponent. An attitude of grave seriousness elevates BATMAN BEGINS above more cartoony Batman movies, as Nolan crafts a dark drama that thrives on sci-fi intrigue. Bale strides into the role with grace, adding refinement that is seldom seen in action-oriented films. And while the action scenes explode with high-tech glitz and fast-moving thrills, they are evenly placed among sequences of plot and character development, making for a complex and satisfying viewing experience.
Dark Knight
To say that Christopher Nolan's THE DARK KNIGHT is the best comic book adaptation does the film a bit of a disservice. It may be a Batman film, but this isn't a kid-friendly action movie full of the bams and pows of the original series. This is a pitch-black thriller with enough drama and tragedy to please even William Shakespeare, but it will certainly keep both comics fans and uninitiated audiences equally happy. THE DARK KNIGHT starts in the wake of BATMAN BEGINS: with the appearance of Batman (Christian Bale), Gotham City's criminal underworld is unnerved. They're also plagued by the new D.A., Harvey Dent (Aaron Eckhart), who, in his quest for justice, remains above the city's corruption. Enter a new villain, the Joker (Heath Ledger), who wants to unite the criminals for a common purpose: to kill Batman.
THE DARK KNIGHT is one of the most hyped movies to date, and a lesser film would be crushed under the weight of all that expectation. Some of the publicity stems from the early death of Ledger, who turns in an excellent performance. He provides moments of humor, but this Joker is terrifying, sharing more with classic villains such as Hannibal Lechter than with his comic book predecessors. Eckhart is equally good as Dent, and Maggie Gyllenhaal deserves praise for taking over the role of Rachel Dawes from Katie Holmes. Though there's more emphasis on plot and character development than in most comic book adaptations, that doesn't mean Nolan has skimped on any of the action sequences. Each set piece is done perfectly, leaving the audience breathless. THE DARK KNIGHT is filmmaking at its best; its subject matter may be dark and depressing, but it's tough not to feel exhilarated by its artistry when the credits begin to roll.