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The marketing hook for this set lies in the players' reference to Czerny's insights into performing Beethoven, with particular attention paid to the younger composer's metronome markings. Fervent adherence to Czerny's suggestions results in some unusual tempos. For example, the opening of op.5 no.2 is taken at a surprisingly quick speed given the Adagio marking. It certainly ensures that the sostenuto aspect of the music is maintained. In contrast, the opening Andante of op.102 no.1 feels almost leisurely, thus creating a vivid contrast with the ensuing Allegro vivace.