Blakes Contrary States: The `Songs of Innocence and of Experience` as Dramatic Poems by DG Gillham Blakes Contrary States: The `Songs of Innocence and of Experience` as Dramatic Poems by DG Gillham Blakes Contrary States: The `Songs of Innocence and of Experience` as Dramatic Poems by DG Gillham Blakes Contrary States: The `Songs of Innocence and of Experience` as Dramatic Poems by DG Gillham
Blakes Contrary States: The `Songs of Innocence and of Experience` as Dramatic Poems by DG Gillham Blakes Contrary States: The `Songs of Innocence and of Experience` as Dramatic Poems by DG Gillham Blakes Contrary States: The `Songs of Innocence and of Experience` as Dramatic Poems by DG Gillham Blakes Contrary States: The `Songs of Innocence and of Experience` as Dramatic Poems by DG Gillham

Blakes Contrary States: The `Songs of Innocence and of Experience` as Dramatic Poems by DG Gillham

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Condition
Secondhand
Location
South Africa
Product code
S Poetry Shelf LG
Bob Shop ID
641648524
Blake's Contrary States: The 'Songs of Innocence and of Experience' as Dramatic Poems
D. G. Gillham
Cambridge University Press 1966
In a fresh examination of Blake's Songs of Innocence and Experience, poems which often seem strangely contradictory, Dr Gillham suggests that Blake is not stating his own thoughts and feelings but presenting 'dramatic' statements; he projects himself into other points of view, thus exploring possible states of being and feeling in which spiritual energy expresses itself. Certain eighteenth-century theories of the mind are examines, explaining the mind in terms of self-interest. Blake included this view in his vision of 'Experience'. The poems suggest, and explore the possibility that such a view, while true of the mind in one state, is not true of it in another. This other state, 'Innocence', is more outgoing, more responsible and more self-aware. The two states lead to quite different moral, religious and political beliefs, though they can use the same terms in doing so. Dr Gillham shows that poems seemingly in conflict can be seen from a consistent point of view. 

Binding: Hard cover with dust jacket

Book Condition: Fairly good. Cellotape marks inside. Previous owner's name inside plus a letter which is from the author to another academic.

Edition: First 1966


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