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This book presents a carefully selected group of sculptures that focus on a shared preoccupation of the artists: the transformation of natural forms to serve new purposes, such as Franois-Xavier's giant grasshopper sculpture that opens into a bar and Claude's bench made of galvanized metal branches and vines such that it remains as much a forest as a place to sit. Critical analysis explores the full breadth of the artists' careers; considers the complex issues of reception and categorization of their work; and prompts a reevaluation of the place their art occupies in the context of art museums, all while encouraging readers to consider relationships among nature, art, and their own encounters with both.