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Film Theory and Criticism: Introductory Readings (Oxford University Press)

Name: Film Theory and Criticism: Introductory Readings (Oxford University Press)
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South Africa

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mscvanons

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THIRD EDITION, Oxford University Press,1985, softcover, illustrated, bibliography, 850 pages, condition: new.

With a range of selections, extended historical coverage, and a dedicated pluralistic commitment, the third edition of this highly popular text on film aesthetics features major additions of contemporary topics in film theory--including psychoanalytic, feminis and Marxist approaches--with essays on television, horror films, and experimental movie making.

Of the 53 selections, 13 are new. The section "Kinds of Film" has been retitled "Film Genres" and concentrates exclusively on the distinctions within a single type of classical Hollywood narrative cinema. The final section, now called " Psychology, Society, and Ideology" is

substantially revised to take into account film's relationship to its how films shape or reflect cultural attitudes, reinforce or reject dominant modes of cultural thinking, and stimulate or frustrate people's needs and drives.

The book that The Journal of Aesthetics and Art Criticism called "the best collection available on the disparate comments in the fields of film theory and criticism" is now even better.

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