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With effortless grace, celebrated author Chimamanda Ngozi Adichie illuminates a seminal moment in modern African history: Biafra's impassioned struggle to establish an independent republic in southeastern Nigeria during the late 1960s. We experience this tumultuous decade alongside five unforgettable characters: Ugwu, a thirteen-year-old houseboy who works for Odenigbo, a university professor full of revolutionary zeal; Olanna, the professor's beautiful young mistress who has abandoned her life in Lagos for a dusty town and her lover's charm; and Richard, a shy young Englishman infatuated with Olanna's willful twin sister Kainene. "Half of a Yellow Sun" is a tremendously evocative novel of the promise, hope, and disappointment of the Biafran war.
'Heartbreaking, funny, exquisitely written and, without doubt, a literary masterpiece and a classic.' Daily Mail 'Stunning. This novel is an immense achievement.' Observer 'Here is a new writer endowed with the gift of ancient storytellers.' Chinua Achebe 'I look with awe and envy at this young woman from Africa who is recording the history of her country. She is fortunate -- and we, her readers, are even luckier.' Edmund White 'A magnificent novel.' Independent 'Absolutely awesome. One of the best books I've ever read.' Judy Finnigan 'Vividly written, thrumming with life!a remarkable novel. In its compassionate intelligence as in its capacity for intimate portraiture, this novel is a worthy successor to such twentieth-century classics as Chinua Achebe's Things Fall Apart and V. S. Naipaul's A Bend in the River .' Joyce Carol Oates 'I wasted the last fifty pages, reading them far too greedily and fast, because I couldn't bear to let go!It is a magnificent second novel -- and can't fail to find the readership it deserves and demands.' Margaret Forster '[Deserves] a place alongside such works as Pat Barker's Regeneration trilogy and Helen Dunmore's depiction of the Leningrad blockade, The Siege .' Guardian 'Adichie uses language with relish. She infuses her English with a robust poetry.' Helen Dunmore, The Times