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Published by Charta, Museum of Contemporary Art, 1994, softcover, illustrated, large format, 261 pages, condition: new.
This first comprehensive compilation on Haring shows the full range of his prolific output, with illustrations and essays.
Haring develops a narrative through images, creating highly recognizable graphic signs. Themes such as oppression, homosexuality, love, and pleasure are addressed with an inventive, ironic language borrowed from the mass media, whose deciphering can be shared by the entire community. Quickly moving from a protagonist of American youth countercultures, which expressed themselves through graffiti, to a leading exponent of international artistic trends, Haring has attributed primary importance to work carried out in public spaces, starting with the white chalk drawings on black sheets that, in the New York subway, cover expired advertising billboards.