About the books:
Ellis writes a version of himself famous, dissolute, haunted into a suburban nightmare where his past begins to materialise literally.
Part ghost story, part addiction memoir, part metafiction about what it costs to write the books he wrote.
Funnier and stranger and more tender than American Psycho, and in some ways more disturbing for it.
Picador edition.
Condition:
Good secondhand condition.
Jacket has a tear in the P and bends to the E's as pictured.
Pages clean and well bound.
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About the author:
Bret Easton Ellis (1964 to present)
Born in Los Angeles in 1964 and raised in the affluent San Fernando Valley during the height of the 1980s consumer boom, Bret Easton Ellis grew up in a world of privilege, surface glamour, and underlying disconnection. The son of a real estate developer, he witnessed firsthand the excesses and emotional vacancies of Southern California suburbiaan environment that would become the primary landscape of his fiction. He attended Bennington College, where he was part of a notable cohort of young writers, and published his debut novel while still in his early twenties.
His early success arrived with Less Than Zero (1985), a coolly detached portrait of wealthy, aimless Los Angeles youth that captured the nihilism of the MTV generation. Over the following decades Ellis developed a signature style of deadpan minimalism, brand-name saturated prose, and satirical exaggeration that blurred the lines between horror, comedy, and social critique. His works often function as both indictments of late-capitalist culture and immersive, sometimes complicit, explorations of violence, consumerism, celebrity, and moral vacancy.
Deeply influenced by the minimalist techniques of Raymond Carver and Joan Didion, the cinematic style of 1980s pop culture, the transgressive energy of writers like William S. Burroughs and J.G. Ballard, and the satirical traditions of Evelyn Waugh and Nathanael West, Ellis in turn became a defining voice of Generation X and late 20th/early 21st-century American fiction. He profoundly influenced a generation of writers exploring alienation, media saturation, and moral ambiguity, including Chuck Palahniuk, Irvine Welsh, and many contemporary satirists and autofiction authors who grapple with celebrity, violence, and the emptiness of consumer society.
Recurring preoccupations include the seductive horror of American consumerism, the collapse of meaning in a media-saturated world, the banality of evil and violence, the fluidity (and performance) of identity, and the tension between surface and moral void. Works like American Psycho (1991) turned yuppie excess into a grotesque nightmare of commodified violence; Glamorama (1998) satirized fashion and celebrity culture; Lunar Park (2005) blurred autobiography and horror; and The Shards (2023) returned to his 1980s roots with a taut thriller.
Ellis has continued to write novels, screenplays, and the influential podcast Bret Easton Ellis Podcast, where he offers sharp cultural commentary. Long a controversial figure for his depictions of violence and perceived cynicism, he remains an unapologetic chronicler of American decadence. He lives in Los Angeles.
Bret Easton Elliss influence on world literature and popular culture is immense: he helped define the literature of Gen X alienation and postmodern satire, pushing the novel toward greater confrontation with media, branding, and moral numbness while remaining utterly unique in his blend of icy detachment, dark humor, and forensic attention to the textures of contemporary life.
