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From the solid mahogany top to the solid sapele back and sides, there's nary a laminate on the mighty Martin D-15E. Compared to its spruce-topped siblings, the D-15E's hardwood mahogany top provides a darker, smokier, and more midrange-focused tone, with a highly pleasing natural compression when you start to dig in. A set of solid sapele back and sides tonally very similar to mahogany perfectly pair with the top to provide a well-defined foundation for complex chording and fiery flatpicking.
While the D-15E delivers all the tone and playability of the now-classic Martin D-15, there's one massive difference between the two models: the D-15E gives you access to effortless and authentic plugged-in tones right out of the gate. Adding a pickup system is perhaps the most common Martin mod, but the D-15E saves you the trouble entirely with a Martin E1. Moreover, the D-15E also boasts a highly convenient soundhole tuner mounted on the opposite side of the pickup's controls, ensuring pitch-perfect tone is always only a glance away.
The dreadnought design, initially invented by Martin, is the de facto acoustic guitar body shape for two reasons: volume and depth. Smaller-bodied models may compete when it comes to intimate fingerstyle and whisper-quiet playing, but the dreadnought's massive low end, punchy projection, and sheer volume set it apart from the pack when played unplugged. This guitar's non-scalloped X-bracing takes it even further with a rich, robust low-end that booms when hit with a pick or strumming cowboy chords to vocal accompaniment.