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I went slowly out on deck, pausing a moment to see his heavy figure climbing the long iron stairway at the base of the derrick that led from pipe deck to derrick floor, climbing with a sort of punchy swagger. He flung open the corrugated iron door and stood there for a moment surveying the scene, a lone figure standing right above the pipe skid, the noise of the draw-works blasting out and the men inside dancing a strange ballet around the kelly, the tongs in their hand and the winches screaming. (p.166)
Another in Hammond Innes' long sequence of first-person narratives in which the hero is on the run from the police, has a troubled relationship with his father, has detailed technical knowledge of the sea and ships, but finds himself drawn by forces beyond his control into disaster.
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