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"Die Oprit" (The Drive way) by Pieter Janse van Rensburg.
The influence of the Everard group on his landscape work is clear, particularly that of Ruth Everard Haden, whose characteristic landscapes exhibited nationally and internationally between the 1930s and 1950s, demonstrate a varied and subtle appreciation of perspective, scene and colour palette.
Van Rensburg's style follows the impressionistic leaning favoured by the Everard Group, eschewing realism in the depiction of landscape in favour of multitude of symbolic colours and brushwork, each new scene taking on a living identity. In some dream-like landscapes, figures appear, floating as if from another, more spiritual realm. In others, a calm and empty mountainside holds it's secrets to itself.
Painting is signed on back as well to provide provenance. Dimensions: 560 mm x 460 mm (frame included).