Partly Hand Painted! 1950s Copeland Spode England Audley Pattern Royal Jasmine Glazed Creamer

A VINTAGE 1950S COPELAND SPODE ENGLAND CREAMER IN THE ICONIC PARTLY HAND PAINTED AUDLEY PATTERN.
 
The Audley patten was introduced in 1939 and was one of the most popular designs for this Royal Jasmine ware. It was in production until the early 1950s. Central to this pattern are a beautiful hand coloured delicate flower and leaf design. Each piece also has a pretty lattice pattern depicting a beautiful lace trim. Each piece has a subtle and gentle smooth scalloped edges which is finished is a beautiful duck egg green.
 
MARKINGS: PRINTED SEAL MARK USED FROM 1891-1970
The printed seal backstamp in our plate (COPELAND SPODE ENGLAND) was used from 1891 to 1970.
 
SIZE: 11CM WIDE FRIM SPOUT TO HANDLE. 10CM HIGH.
CONDITION: NO CHIPS. NO CRACKS. IN GOOD CONDITION.
 
ROYAL JASMINE GLAZE (1932-1950S): Royal Jasmine is not a pattern name. Royal Jasmine is the name of a pale yellow glaze introduced in 1932 and continued in production throughout the 1950s. It was used for earthenware tableware which was intended to give an effect similar to early English creamware of the 1750s and 1760s. Royal Jasmine was produced on Spode's Imperial earthenware body in ivory colour.

AUDLEY PATTTERN (1939-1950S): The Audley patten number was introduced in 1939 and was one of the most popular designs for this Royal Jasmine ware. Central to this pattern are a beautiful hand coloured delicate flower and leaf design. Each piece also has a pretty lattice pattern depicting a beautiful lace trim. Each piece has a subtle and gentle smooth scalloped edges which is finished is a beautiful duck egg green.
 
SPODE (1766 - present):
Josiah Spode apprenticed as a potter in the mid-1700s. By 1754, he went to work for William Banks in Stoke-on-Trent, in Staffordshire, England. Later, he started his own pottery business, making cream-colored earthenware.
Spode pioneered the use of steam-powered, pottery-making machinery and mastered the art of transfer printing from copper plates,. Spode opened a London shop in 1778 and sent William Copeland there in about 1784. By the early 1830s, Copeland fully acquired the Spode operations in London and took over the Stoke plant operations until his death in 1868, when he passed the business onto his heirs.
After 250 years Spode is still designed in Britain (Although in 2009 the British Portmeirion Group purchased the Spode brand.) and has now become synonymous with British ceramics.
 
BACKSTAMP MARKINGS:
Copeland Spode marks are divided into four main categories, including early Spode from 1770 to 1833, Copeland & Garrett from 1833 to 1847, WT Copeland from 1847 to 1970 and reverting back to just Spode from 1970 to 2022.
THE SEALMARK SEEN WAS FIRST INTRODUCED IN 1833.
IN 1891 THE WORD ENGLAND WAS FIRST ADDED TO THE SEAL MARK.
UNTIL 1903 IT HAS A C IN THE CENTER OF IT FOR COPELAND.
IN 1904 TO 1954 THE WORD SPODE WAS ADDED TO THE COPELAND MARK AFTER AN ABSENCE OF 66 YEARS SINCE 1833.
IN 1954 THE S AFTER SPODE COPELANDS CHINA MARKS WAS OMITTED AND IN 1956 THE WORD BONE CHINA REPLACED COPELAND IN THE MARK.
In 1970, to celebrate the supposed bicentenary of the founding of the company, the name reverted to Spode with a new logo designed by John Sutherland Hawes. Taking inspiration from the early 19th century red painted Spode marks plus later (from 1976) printed adaptations he produced the 'Gothic' style logo in red which became world famous. This is the name used until the closure of the factory in 2009. 
FROM 1976 THE SPODE LOGO CHANGED TO RED AND THE WORD FINE WAS ADDED TO BONE CHINA IN BLACK.
 
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