Rare Antique Famille Rose Square Vase with Raised Relief and Inscriptions, Late Qing/Republic Period, Signed
This stunning and rare antique vase from the late Qing Dynasty or Republic Period is a beautiful example of Asian artistry, combining Chinese and Japanese influences. The vase features a unique square body with a round neck and foot, richly adorned with raised relief designs and poetic inscriptions. It is crafted from a heavy hard paste porcelain with a thick, glass-like white glaze over intricate embossed decorations, adding depth and elegance to its appearance. The inside of the vase has a rough finish, highlighting its traditional craftsmanship.
Era and Origin: Late Qing Dynasty/Republic Period (early 20th century) with a Qianlong six-character iron-red mark tribute on the base. Marked "Made by Taiseiken Takashi in Keiji."
Material: Heavy porcelain with raised relief and a thick white glass-type glaze.
Shape and Size: Square body with round neck and foot; approximately 26 cm high and 11.5 cm in diameter.
Condition: Very good vintage condition with no chips. The interior is roughly made, typical of handcrafted pieces from this period.
Inscriptions on Each Side:
Side 1 (Chinese, Taiwan):
"Yunyang Sheren's appearance is self-made; he is only 20 years old and is San Gong. He did not hesitate to meditate, and Shun did not hesitate, let alone the broken pillow and mat."
Signed Dong Xian.
Side 2 (Chinese, Taiwan):
"Preach the scriptures, signed Shi Feihai, I will never fight again on Hainan Road, save one."
Side 3 (Japanese):
"Ha Yako Enuki. When profits are lost, young man like Ce conventional none."
Signed Koto Maguro.
Side 4 (Chinese, Mainland China):
"What old doctor."
Signed Fusheng.
tThe name Dong Xian on Side 1 is historically significant. Dong Xian (231 BCE) was a favored court official and companion of Emperor Ai of Han in ancient China. He is best known for his close relationship with the emperor, which was later romanticized in historical texts as an example of deep loyalty and affection. The term "the broken pillow" (, duàn zhěn) or "shared pillow" refers to a famous anecdote where Emperor Ai, unwilling to wake Dong Xian, cut his own sleeve to avoid disturbing him. This story became a well-known metaphor for same-sex love in Chinese history, called "the passion of the cut sleeve" (, duàn xiù zhī pǐ).
Regarding the other names:
- Shi Feihai does not seem to have a well-known historical connection but could reference a religious figure.
- Koto Maguro appears to be a Japanese name, but it doesnt match any famous historical figure directly.
- Fusheng is a common name that could refer to multiple historical or literary figures, possibly an old scholar or doctor.
Why This Piece Stands Out:
The inscriptions add a deep narrative layer to the vase, reflecting philosophical and historical elements from both Chinese and Japanese culture.
The raised relief and contrasting smooth glaze create a visually striking piece perfect for display.
Ideal for collectors of Asian antiques or those who appreciate the rich symbolism and craftsmanship of historical porcelain.
This vase is a beautiful and unique piece of art that encapsulates cultural stories and timeless design. It would make a perfect addition to any collection of Asian antiques or as a standout decorative piece in any space.
