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The Millennium-trilogy consist of "The Girl With The Dragon Tattoo", "The Girl Who Played With Fire" and "The Girl Who Kicked the Hornets' Nest" (UK release the 1st of October 2009, US release the 31st of October 2009).
Stieg Larsson began thinking about writing detective novels back in the early 90's, according to co-worker Anna-Lena Lodenius in an interview with the Swedish newspaper Veckans Affärer. He had always been interested in particularly Anglo-Saxon literature and knew the works of Elizabeth George, Minette Walters and Sara Paretsky very well. He knew what ingredients a good detective story should have, and he even reluctantly decided to spice it up with a bit of sex as it would probably please his readers.
As for his work as a journalist, his preparations for the series were thorough. Before he started writing, he had made a detailed synopsis for ten books. He started writing in 1997, and it was not until he had finished the first two books and had the third one under way that he contacted a publisher in the summer of 2003. His first contact was with publisher Piratförlaget, which refused his script twice, perhaps the biggest mistake in Swedish publishing history. Instead, it was the publisher Nordstedts which got the opportunity to sign him in late 2003. With them, Stieg Larsson signed a contract of three books, an exceptional opportunity for an unpublished writer. The publishing rights were also bought by German and Norwegian publisher before it was even published in Sweden. During 2004 Stieg Larsson made minor adjustments to his two finished books and finished the third. When he died in November 2004, it was only a few months before the first book of the Millennium-series was released to the Swedish audience and became an immediate success.
Kenneth Ahlborn, a former colleague of Stieg's at TT, says in an interview with Veckans Affärer that Stieg got the idea for the character Lisbeth Salander after a discussion during a break from work. They were talking about how different characters from children's books would manage and behave if they were alive and grown up. Stieg especially liked the idea about a grown up Pippi Longstocking, a dysfunctional girl, probably with attention deficit disorder who would have had a hard time finding a regular place in the "normal society", and he used part those characteristics when he created lisbeth Salander.
"The Girl With The Dragon Tattoo"
"The Girl Who Played With Fire"
"The Girl Who Kicked the Hornets' Nest"
NB. This is an ebook. An ebook is a digital file and not a paper bound book. This item is either sent via download links or emailed directly. If you wish for distribution via the postal service it will be at your cost.