The Floating World of Ukiyo-e: Shadows, Dreams and Substance [Hardcover]
Essays by :
Sandy Kita
Lawrence E. Marceau
Katherine L. Blood
James Douglas Farquhar
- Hardcover: 224 pages
- Publisher: Harry N. Abrams, Inc. (8 Oct 2001)
- Language English
- ISBN-10: 0810941694
- ISBN-13: 978-0810941694
- Product Dimensions: 28.8 x 23.6 x 2.5 cm
Quarto. Blue Boards. Small smudge on the half-title page. Edges of the dust-jacket slightly creased. Lamination of the dust-jacket rubbed.
Focusing on Ukiyo-e ("pictures of the floating or sorrowful world"), the colourful woodblock prints that are the most popular form of Japanese art, this book introduces the little-seen collection held by the Library of Congress. This collection of prints, drawings and books, one of the largest outside Japan, has never been exhibited and has rarely been handled. The art form of Ukiyo-e first flourished in 17th-century Edo (now Tokyo), depicting landscapes, portraits of courtesans and actors. This book includes known masterpieces by such names as Hokusai, Hiroshige and Kunisada, as well as rare and unusual prints that have not been explored before, and thus serves as a survey of its subject.
About the Author
Katherine L. Blood is Fine Print Curator in the Prints and Photographs Division of the Library of Congress. Sandy Kita, Ph.D., is Assistant Professor of Japanese Art History at the University of Maryland, College Park; also regularly teaches a course on Ukiyo-e at the Rare Book School at the University of Va., Charlottesville. Lawrence E. Marceau, M.A., Ph.D., is Associate Professor of Japanese at the University of Delaware. James Douglas Farquhar, Ph.D., a professor at Univ. of Maryland and a historian of 15th-century northern European painting. Shiji Honda has served for many years as Buddhist priest in the Washington, DC, area. From 1961-91 was Reference Librarian in the Japanese Section of the Asian Division of the Library of Congress.
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