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The World`s Famous Pictures No. 6, 7, 8, 9 by M. Conway, C. Phillips, C. Holmes, 1927
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Product details
The World's Famous Pictures No. 6, 7, 8, 9 by Sir Martin Conway, Sir Claude Phillips, Sir Charles Holmes,
The Fine Arts Publishing Co. Ltd 1927
~Paperbacks~
No.6 - fair condition
Contains 12 masterpieces in gravure and an extra color plate.
Wear all around the edges, the spine presents wear and tear. Text and pictures in good condition.
No.7 - poor condition
Contains 11 masterpieces in gravure and an extra color plate. (Leonardo da Vinci's "The Last Supper" was cut out)
Wear all around the edges, the spine presents wear and tear and there is sellotape along the spine. Text and pictures in good condition.
No.8 - poor condition
Contains 11 masterpieces in gravure but no extra color plate.
Wear all around the edges, the spine presents wear and tear and there is sellotape holding two pages inside. The cover pages are loose. Text and pictures in good condition.
No.9 - fair condition
Contains 12 masterpieces in gravure and an extra color plate, small.
Wear all around the edges, the spine presents more wear and tear. The back page is almost loose. Text and pictures in good condition.
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William Martin Conway, 1st Baron Conway of Allington (12 April 1856 19 April 1937), known between 1895 and 1931 as Sir Martin Conway, was an English art critic, politician, cartographer and mountaineer, who made expeditions in Europe as well as in South America and Asia.
Sir Claude Phillips (29 January 1846 9 August 1924) was an English writer, art historian and critic for the Daily Telegraph, Manchester Guardian and other publications during the late 19th century. Phillips was considered one of the most eminent critics in Victorian Britain, and his numerous scholarly and art history books were widely read.
Sir Charles John Holmes, KCVO (11 November 1868, Preston, Lancashire 7 December 1936, Kensington, London) was a British painter, art historian and museum director. His writing on art combined theory with practice, and he was an expert on the painting techniques of the Old Masters, from whose example he had learned to draw and paint.
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