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TOM WESSELMANN , STEALINGWORTH ( please note some damage as described  below ) TOM WESSELMANN , STEALINGWORTH ( please note some damage as described  below ) TOM WESSELMANN , STEALINGWORTH ( please note some damage as described  below ) TOM WESSELMANN , STEALINGWORTH ( please note some damage as described  below ) TOM WESSELMANN , STEALINGWORTH ( please note some damage as described  below ) TOM WESSELMANN , STEALINGWORTH ( please note some damage as described  below ) TOM WESSELMANN , STEALINGWORTH ( please note some damage as described  below )
TOM WESSELMANN , STEALINGWORTH ( please note some damage as described  below ) TOM WESSELMANN , STEALINGWORTH ( please note some damage as described  below ) TOM WESSELMANN , STEALINGWORTH ( please note some damage as described  below ) TOM WESSELMANN , STEALINGWORTH ( please note some damage as described  below )
TOM WESSELMANN , STEALINGWORTH ( please note some damage as described  below )
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TOM WESSELMANN , STEALINGWORTH ( please note some damage as described below )

1 was available / secondhand
R160.00
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Product details

Condition
Secondhand
Location
South Africa
Bob Shop ID
610826254

TOM WESSELMANN ; STEALINGWORTH  ; Hardcover ; ABBEVILLE PRESS INC / PUBLISHERS / NEW YORK 1980 ;             ISBN 0 89659 072 0 ; No of Pages ; 321

Note some damage as described below .

From Bookfinder ; Tom Wesselmann (1931-) was one of the most prominent Pop artists of the 1960s. Whilst in the army he began drawing cartoons and afterward studied art at the Cincinnati Art Academy and then the Cooper Union. It was after his first one-man exhibition at the Tanager Gallery, New York, that he became known as one of the leading figures in American Pop art. He subsequently abandoned abstract expressionism for collages and constructions in mixed media, producing works created from clocks, television sets and air conditioners to ressemble shop windows. He became well known for the overt erotic imagery of his series, Great American Nude, which became progressively more sexual during the 1970s. This monograph is both a visual retrospective and informed critical account of Tom Wesselmann's work.

Condition ; Please see all the photographs below especially the last with the Notes .  .Very good tight binding ; NB ; Note some discolouration  to the front bottom right corner of the cover . Also similar discolouration to the back bottom right corner ; - see photographs . There is evidence that at some time the last few pages got wet and were stuck together at the bottom left corners .  No tears  ; no browning of the paper and no writing added.. Note that the plastic cover has sections missing  and where the cover was exposed is dirty  ( see photographs ) .


 

 

 

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