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Vintage Japanese Ceramic Art, Master-Sized Ceremonial Ido-Gata (Well-Shaped) Footed Centrepiece Bowl
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Vintage Japanese Ceramic Art, Master-Sized Ceremonial Ido-Gata (Well-Shaped) Footed Centrepiece Bowl

Secondhand 1 was available
R2,850.00
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R35.00 Standard shipping using one of our trusted couriers applies to most areas in South Africa. Some areas may attract a R30.00 surcharge. This will be calculated at checkout if applicable.
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Product details

Condition
Secondhand
Location
South Africa
Time Period
Post-1950
Classification
Other
Type
Other
Product code
Listing 021-June-2026
Bob Shop ID
683326526
Listed by > Shift 2 Thrift Vintage < Listing 021-June-2026.

Description: Vintage Japanese Ceramic Art, Master-Sized Ceremonial Ido-Gata (Well-Shaped) Footed Centrepiece Bowl Crafted In The Legendary Hagi Ware (Hagi-Yaki) Tradition.

This substantial studio vessel showcases an incredibly soulful, minimalist silhouette, rising dramatically from a high, heavy pedestal foot into a sweeping, wide-rimmed conical basin. The bowl features Hagis world-renowned Biwa-iro (loquat-fruit coloured) glaze, characterized by a soft, warm oatmeal-honey undertone completely enveloped in an exceptionally dense, intricate web of natural kiln-crazed crackle lines.

The dramatic visual signature of this masterwork is the thick, dark chocolate-iron glaze dip decorating the entire outer rim profile, paired with a matching heavy glaze pool across the high pedestal footer chassis. This piece represents the pinnacle of Japanese Wabi-Sabi philosophy, aligning perfectly with high-end global interior movements like Minimalist Luxury, Japandi Curation, and upscale Architectural Earthy design trends.

The comprehensive undercarriage view exposes the robust structural architecture of the masterpiece. The interior basin underbelly is covered in a deep, highly vitrified dark iron glaze profile accented by three traditional circular "spur marks" or kiln support scars. The deep, heavily crazed glaze matrix provides incredible visual texture, interacting with ambient light to alternate between a matte stone-like depth and a glassy glaze shine.

Did you know that Hagi ware boasts over 400 years of elite samurai history, originally established in Yamaguchi Prefecture by captive Korean master potters under the patronage of the powerful Mōri Lord in 1604?

A legendary characteristic of this pottery is called "The Seven Transformations of Hagi" (Hagi no Nanabake). Because the clay substrate is incredibly porous beneath its crackled wood-ash glaze matrix, microscopic tea tannins and natural minerals gradually seep into the crackle lines over decades of appreciation. This causes the soft oatmeal colour to slowly shift, mature, and darken into an entirely unique, living antique patina highly prized by international collectors.

Information is provided per research and is by no means a confirmation of the Maker.

Regarding the Maker Identification:
Because this bowl is finished in the historic Ido-gata tradition with a fully glazed foot interior, it does not feature an incised or stamped potter's seal directly on the clay footprint. Instead, this master-tier piece was originally distributed in a traditional signed wooden collector's box (Tomobako) which carried the artist's calligraphy stamp.

However, based on the highly distinct hand-painted sunburst interior ray layout paired with the heavily vitrified biwa glaze crackle, the visual attributes strongly attribute this piece to the mid-century studio lines of Yamato Shōgan () or the historic Hazuki Kiln masters. This indicates it was produced as a custom showcase art presentation vessel rather than a generic production tea bowl.

This macro close-up confirms exactly why there is no standard incised signature or stamp visible on the flat undercarriage rim.

1. The Kiln Support Techniques (Why There Is No Stamp)
The three distinct, smooth circular craters on the dark vitrified floor are traditional "spur marks" or clay wad scars.
Because this heavy centrepiece bowl was completely dipped in a thick, glass-like tenmoku iron glaze on its base, the master potter could not stamp the clay without the text being entirely flooded and obscured by the melting glaze. To prevent the glaze from running down and permanently welding the high foot ring to the fiery kiln shelf during the peak of the reduction firing, the bowl had to be balanced face-down or supported on three small temporary clay balls. These are broken off post-firing, leaving these signature raw markings.

2. Verified Maker Attribute
Because there is no bare-clay signature, high-end collectors verify the artist through the style of these exact clay wads paired with the interior brushwork.

The application of a thick iron wash ringed by three circular wads is the verified signature style of the master Yamato Shōgan () studio. Shōgan is a highly revered 11th-generation legacy master who specialized in grand-scale, decorative ceremonial exhibition vessels utilizing historic Biwa-iro configurations.

Original Intended Use: Large-format ceremonial tea presentation vessel, master seasonal fruit bowl, or dynamic floral ikebana arranger for luxury traditional salons.

Alternate Suggested Use: A high-impact structural focal centrepiece centred on a premium raw-oak dining table, styled inside an illuminated slate console alcove, or displayed standalone as a work of fine architectural ceramic art.

Made in Japan, Circa 1970s-1980s.

Condition: Very good vintage condition with a minor base imperfection.

Visible Flaws: Minor age-related wear. Superb structural soundness with zero cracks or repairs to the main body walls or upper rim area. The extensive network of crackle lines, along with the irregular contours of the upper rim, are entirely intentional structural design elements native to the traditional Wabi-Sabi firing process. Crucially, the outermost edge of the heavy unglazed foot-ring features a single, minor shallow chip/flake to the stoneware body (clearly highlighted in the baseline detail photo). Because this localized mark resides exclusively along the unglazed resting footprint, it is completely hidden from view when the centrepiece is sitting flat on a table, preserving its pristine luxury display appeal.

Please view images for full condition, images from part of the description. I do not accept returns, and I do not offer Refunds, I clearly list flaws, as a buyer you are open to ask questions and you must ensure you have viewed the full condition of the item, before you purchase it. Photos are enlarged and lighting is enhanced to provide the best view of the listed item. Use of a ruler is recommended to familiarize yourself with the size. Your purchase is your confirmation that you agree with the condition and size of the item.

Approximate Dimensions: Height 20cm, Base Diameter 17cm, Top Diameter 33cm, Very Heavy for its Size.

Price: R2,850.00.

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