R35.00 Standard shipping using one of our trusted couriers applies to most areas in South Africa. Some areas may attract a R30.00 surcharge. This will be calculated at checkout if applicable. Check my rate
The seller has indicated that they will usually have this item
ready to ship within 15 business days.
Shipping time depends on your delivery address.
The most accurate delivery time will be calculated at checkout,
but in general, the following shipping times apply:
2012 first edition large format hardcover with 312 pages in good condition. Also Wildebeest Kuil, Storm Shelter Maclear, San ethnography, Kruger National Park....
Editor(s): Benjamin Smith, David Morris, Knut Helskog, Contributor(s): Andrzej Rozwadowski, Anne-Sophie Hygen, Antti Lahelma, Catherine Namono, Christopher Chippindale, D.Winnie Mokokwe, David Morris, David Pearce, David Whitley, Gitte Kjeldsen, Janette Deacon, Juha Pentikäinen, Knut Helskog, Leslie Zubieta, Lindsay Weiss, Ndukuyakhe Ndlovu, Neville Agnew, Paul Taçon, Pieter Jolly, Terje Norsted, Thembi Russell, Tilman Lenssen-Erz, Trond Lødøen.
This book contains cutting edge contributions that consider new approaches to three areas: the documentation of rock art; its interpretation using indigenous knowledge; and the presentation of rock art. Working with Rock Art is the first edited volume to consider each of these areas in a theoretical rather than a technical fashion, and it therefore makes a significant contribution to the discipline.
The volume promotes the sharing of new experiences between leading researchers in the field. While the geographic focus is truly global, there is a dominant north-south axis with strong representation from researchers in southern Africa and northern Europe, two leading centres for new approaches in rock art research. Working with Rock Art opens up a long overdue dialogue about shared experiences between these two centres, and a number of the chapters are the first published results of new collaborative research. Since this volume covers the recording, interpretation and presentation of rock art, it will attract a wide audience of researchers, heritage managers and students, as well as anyone interested in the field of rock art studies.