Published by Grove, 1982, softcover, 268 pages, previous owners name to first page, crease to front cover, otherwise condition: very good.
Foreword by Jean-Paul Satre.
Although autobiographical to some degree, Genets exploitation of poetic language results in an ambiguity throughout the text. Superficially, the novel follows the authors progress though 1930s Europe, wearing little and enduring hunger, contempt, and fatigue: the life of the vermin. The protagonist is hot for crime and romanticizes criminality as well as homosexuality, two facets of his identity that keep him ostracized from the general public.
Jean Genet (1910-1986) was born in Paris. Abandoned by his mother at seven months, he was raised in state institutions and charged with his first crime when he was ten. After spending many of his teenage years in a reformatory, Genet enrolled in the Foreign Legion, though he later deserted, turning to a life of thieving and pimping that resulted in repeated jail terms and, eventually, a sentence of life imprisonment. In prison Genet began to write poems and prose that combined p***ography and an open celebration of criminality with an extraordinary baroque, high literary style and on the strength of this work found himself acclaimed by such literary luminaries as Jean Cocteau, Jean-Paul Sartre, and Simone de Beauvoir, whose advocacy secured for him a presidential pardon in 1948. Between 1944 and 1948 Genet wrote four novels, Our Lady of the Flowers, Miracle of the Rose, Funeral Rites, and Querelle, and the scandalizing memoir A Thiefs Journal. Throughout the Fifties he devoted himself to theater, writing the boldly experimental and increasingly political plays The Balcony, The Blacks, and The Screens. After a silence of some twenty years, Genet began his last book, Prisoner of Love, in 1983. It was completed just before he died.
Introduction by Jean -Paul Satre.
